Accordions & Monologues

making musicBasil’s monologues, respectfully borrowed
From the likes of–Jack Benny, Rodney Dangerfield
Began, from a shady park bench
“I grew up in a tough ethnic neighborhood”
“Learned to play accordion to keep from getting beaten up”
“Could I have a rim shot, please?”  “Wow, tough crowd”

Self-deprecating humor worked well
At parties, social events, until laughter faded
His marriage failed–she claimed, she needed more
Than he could give, lawyers, ex-wives, blah-blah-blah!
Drinking, masked pains of failure, until DT demons
Came to call, left behind, hallucinations, shaking, cold sweats

Several vagrancy arrests later
The Salvation Army took him in
Basil survived, self-esteem, only
Slightly wounded, by the celebratory
Gunfire, of his formerly overinflated, ego

Any, remaining, self-righteous inclinations
Quickly disappeared, his dark red accordion
And music remained, reminders of former glories
Park bench performances became routine
The take, on good days, enough for hot meals
And lodging at better transient hotels

His only true love, the dark red accordion
With mother of pearl inlays and ivory keys
There’d been a couple of minor dustups
Basil’s personal space, had been invaded
By outsiders, too touchy-feely for his liking

In his mind, still fancied himself, as nine-year old
Basil Rominski, in front of an adoring audience
At Mrs. Holtzmann’s fourth-grade music recital
As he played, spirited renditions, of
“Flight of the Bumblebee,” “Beer Barrel Polka”
“Bohemian Rhapsody,” recently added to his repertoire

Until, one day, street thugs
Waited In ambush, whacked him
Over the head, stole his money
Left him on the sidewalk, unconscious
Sprawled out, over his accordion case

The next thing, Basil remembered, was
An echoed, booming, bass voice
“Don’t ask, unless you’re willing to listen”
“How much is this advice going to cost me?”
Basil, asked the disconnected voice
“How much money you got?”
Came the curious answer
In the form of a question

“Everything, everywhere in”
“The universe, is in motion”
“Millions and billions”
“Of atoms, electrons, neutrons, protons”
“Are spinning around inside your body”
The thought made Basil nauseous
“Stop it! I’m going to throw up!”
Boris pleaded

“You’re a family of one”
The voice droned on, with
More unintelligible mumblings
A blurry, angelic figure, enshrouded in white
Called out, “Mr. Rominski, Mr. Rominski”
“You’ve had a concussion, you’re dreaming”
“Come on, let me help you get back to bed”

Basil’s mistake, looking out a broken window
At the wrong time–witnessing a crime
Intimidated, to insure his silence
There were fewer and fewer places to hide
Basil hid in a mechanical room, above a
Storefront, in an abandoned shopping center

The parking lot lights were on
He watched from a vantage point
Heart pounded, as a car stopped
Thieves, looking for things to steal?
Had he been followed?
Was it the same people as before?

Basil held his accordion closely
This is the last good thing I’ve got!
You thieving bastards can’t have it!
He was in grave danger, if spotted
Without his accordion and music
He was dead, anyway



Rows of
Maturing, green
Corn stalks

Resembled graduates
With young, fertile minds
Lined-up, for diplomas
On commencement day

Sweet, pollen perfume
Drifted in thick, humid air
Nurturing, rewarded
With ears, full of golden grain

–Photo by Craig Roberts–

American Privilege

trailer park

Bright sunlight shone
Through royal red
Velveteen curtains
With missing sashes
Ian, shielded his eyes
Emerged from under, a
Crocheted, afghan blanket
Rolled, from the beige sofa
To brown shag-carpeting, on
The floor below

His right elbow, probed
For equilibrium, found a
Cardboard pizza box
Knocked, a beer can
Ashtray askew, last
Night’s festivities, reverbed
In his throbbing head
Leftover pepperoni slice
Made a hearty breakfast

Still barefooted, He
Headed for the door
Attired in same clothes
As the night before
Sat on the pre-fab
Concrete steps, alfresco
Smoky tobacco tendrils
Swirled in morning air

Across the street
Ramparts stood
Fortified, defiant
With chain-link armor
Abandoned, hollowed-out
Corrugated, metal-clad castles
With turrets, parapet walls
All there for the taking
Someday, he would have it all

Ian, surveyed his legacy
His, trusty royal steed
Felt damned lucky
He had everything
He could ever need


estate sale

Transcribed from the October 1996 issue of “Good Old Days” magazine, pp. 29-31.  Written by Lowell L. Getz, a gentleman from my hometown.      

A yellow cardboard sign on a plain wooden stake reads “Estate Sale: Saturday, 9 a.m.- 4 p.m., 1604 South Oak.”  It’s the sign we have been looking for–identical to dozens of others provided by the local newspaper giving directions to garage sales, yard sales, and estate sales around town this dreary, damp, early October morning.

A turn to the left, two blocks down on the right; park the car on a side street and walk to 1604.  The house is an unpretentious brown two-story, Tudor of the early 1900’s, with peeling paint and frayed shingles.  A large silver maple with dying limbs and flaking bark stands in front; two pyramidal senescent spruces guard the north.

We are a little late.  People are already in the house, and a line is waiting at the side door.  Four people are allowed in at five-minute intervals.  As we wait, we hear fragments of conversations:  “…died a couple of months ago…” “in her early 90’s…” “visiting nurse found her in bed…” “husband had been dead for about 20 years…” “lived here most of her life…” “…no family left.”

Our turn to enter.  Three steps down to the right and into a single-car garage that has not felt the tread of tires for years.  A look around.  A collection of rakes, hoes, shovels, and forks, their handles worn and loose, the effects of untold hours spent preparing flower beds, planting shrubs, cleaning the yard in spring, and planting “victory gardens.”  How many blisters had they caused?  How many sore backs?  How many compliments from passersby had they heard?  And we can almost smell the smoke of the countless piles of burning autumn leaves.


In the back corner rests a scratched and dented little red tricycle.  I can still feel the sting of scraped knees and elbows.  Next to it leans a boy’s faded blue balloon-tired Schwinn bicycle, the tires flat and brittle from decades of idleness.  The paint on the upper bar is worn down to the bare metal.  How many rounds of delivering the morning papers did it take the swinging bag to wear away the paint?  And, how much was worn away by the twisting dress of a freckle-faced girl as he rode her to Chet Towse’s drugstore for vanilla phosphates after school.

We climbed back up the steps and into the kitchen.  The table and counters are covered with chipped dishes, dented pans, worn cooking utensils and myriad other small, commonplace kitchen items that unknowingly weave together the everyday events in a family’s life.

I pick up a smooth, shiny rolling-pin; one handle sticks.  How many Thanksgiving mincemeat pies?  How many coconut cream pies for PTA socials?  I can almost taste them.

Also on the counter sits a set of silver-plated dinnerware, the plating worn from the bases of the forks and spoons and from the edges of the knives.  We can only imagine the conversations to which they were privy over long-forgotten Thanksgiving dinners, Christmas Eve dinners, hectic evening meals, family holiday get-togethers, and lazy summer Sunday breakfasts.

On the back counter stands a small cereal bowl, the lone survivor of a set of dishes, the others long since broken and discarded.  Only a faint purple flower design remains from the hurried scrapings of the spoon as the second bowl of Wheaties was gulped down after the paper rounds so he could make last bell at school.

And years later, even more was scratched away by the unsteady spoon held by stiff, swollen arthritic fingers as she ate bran cereal while watching the evening news.  “When you are hurting and all by yourself, it just isn’t worth the fuss to try to fix a real meal.”

I move into the dining room.  Along the walls are arranged an oaken breakfront, a small tea-table with large wheels, and an old music case now holding tablecloths and napkins.  In the middle of the room is a round oaken table with a single large pedestal.  On the table sits a china set, the gold trim worn away from countless washings; again, we heat the din and laughter of countless meal-time conversations.  Also on the table are a cut-glass pitcher, a Fostoria crystal service and china serving dishes; once cherished wedding presents.

At one edge I find an inexpensive tin cake holder, the faded clowns and balloons barely visible–a turn of the base brings the metallic tinkling of Happy Birthday.  In the background we can hear the faint giggling chatter of little kids as the candles were blown out and the silent wishes made.  Did they ever come true?

Lum and Abner
Lum and Abner (Photo credit: Wikipedia)

On top of the music case rests an old Sears and Roebuck Silvertone radio.  It is plugged in.  A twist of the switch and the green “tuning eye” lights up, but no sound escapes the brown cloth-covered speaker–only the unheard echoes of Roosevelt’s fireside chats, the call of Joe Louis prize fights, the War of the Worlds broadcast, the clatter of Fibber McGee and Molly‘s cluttered closet, Lum and Abner‘s chuckles at the Jot-‘Em-Down store, Gabriel Heatter‘s “There’s good news tonight” wartime broadcasts, The Romance of Helen Trent and the haunting music of I Love a MysteryWe go on into the living room where we find a large sagging flowered sofa, an equally sagging matching chair, and a newer reclining rocker with a built-in heater.  “The heat feels good on your aching joints.”

By the window sits a Boston rocker, the ends of the rockers deeply grooved with puppy teeth marks.  “How could you even think of refinishing it and removing the only traces of his very first pet?”

grandfather clock

In the far corner stands a grandfather clock with three weights and a slowly swinging pendulum.  How many times did the weights run their downward course?  How many times did the chimes mark the hours, the quarter-hours?  How many times did the pendulum make its arching back-and-forth trip?  How many ticks, how many tocks, in the life of a family?

Against the near wall, an upright Baldwin piano stands, its ivory keys yellowed and chipped with age and the long hours of fingers stroking them.  How many winter nights were made more cheerful by the sound of the notes?  How many tears were dried away by the determined buffeting of the keys?

On the piano bench is piled a large stack of sheet music.  Leaf through the folded sheets–Little White Lies, with a picture of Rudy Vallee; Don’t Cry Swanee, with Al Jolson; I Want My Mammy, with Al Jolson in blackface; and Memories, its pages worn and brittle, crumbling edges held together by yellowing tape.

"Swanee" sheet music cover, with pho...
“Swanee” sheet music cover, with photo of singer Al Jolson (Photo credit: Wikipedia)

Upstairs next.  As we move toward the stairway we pass the line of people already checking out with their purchases.  Their arms are filled with bits and pieces of the fabric of a family, now being unwoven and forever scattered to the winds.

Up the stairs and down the hall.  To the left is a small bedroom with a small wooden bed.  Near the head of the bed stands a small desk.  Although the room has been painted several times, nail heads still protrude from the walls and ceiling.  Which one held the picture of Dizzy Dean?  Which one Lucky Lindy?  To which was attached the model of the China Clipper?  To which the Curtiss Jenny biplane?

At the opposite end of the room is a closet, the thick wooden rod bending under the weight of tightly packed, little-worn women’s sweaters, blouses, skirts, dresses, jackets and coats, all long since out of style.  “Really should give them to the Salvation Army, but you never know, they may come back in style again.”  They never did.

And, at the very end of the rod, pressed tightly against the wall, hangs a Boy Scout uniform, the unbending khaki fabric stiff with age, with a red and white Troop 107 patch on the shoulder.

On the bed is a large cardboard box of picture frames, the pictures still in them.  Shuffle through the box.  A young couple dressed in the 1890’s styles stares into the camera with their frozen, bulging eyes.  In another, a man wears an open coat, a watch chain drooping across a buttoned vest.  The woman wears a thick, heavy form-fitting dress buttoned up to the neck.

Another show a young couple under a flowered wooden arch with a sign at the top, “Senior Memories of 1921.”  She wears a short straight dress baring long slender legs, and two strands of bead hanging down to her waist.  He wears a shirt with a rounded cellophane collar and a narrow-lapelled tuxedo jacket.  In another, a small boy looks up into the camera, his bright eyes aglow with excitement as he clutches a floppy-eared spotted pup.

In the bottom of the box, a heavy wooden frame encased the picture of a uniformed young man with the same sparkling eyes and a forced embarrassed grin, the large bill of his Army Air Corps cap making his boyish face look even younger than its years.  We turn the frame over.  Stuck in the back is a folded yellowed newspaper clipping.  Only the small headline shows–“Local Airman Killed Over Germany.”

We move across the hall into the master bedroom.  Here we find a small vanity, a nightstand, a wicker-bottomed chair and a large dresser with an equally large mirror.  On the dresser top, a well-used tarnished silver mirror, comb and brush set; strands of broken gray are still entangled in the brush.  On the near wall, a closet, the rod closely packed with more women’s clothing.  Although of a more recent vintage, most are no longer in style.  It’s a lifetime collection of changing fashions.

iron bed

Next to the window is an iron bed, the maroon paint faded and cracked with time.  Recorded in the cracks are the excitement of newfound shared intimacies, sudden awakenings to feverish cries from across the hall, late-night sighs of relief when the front door opened signaling that he was safely in, worried sleepless wartime nights wondering where her was and if he is safe, silent sobbing clutches after the telegram arrived, the sinking sensation of despair the morning there was only heavy stillness next to her in the bed, years of solitary restless nights and wandering dreams of what had been, and finally the quiet, gentle release.  All these and an iron bed in need of paint–$25.

As we leave the room we see the music box–jewelry chest on the vanity.  Three flaking brown glue stains inside the top are a reminder of a long-lost mirror.  A twist of the key, Memories–his first Christmas present to her?  Inside the box lies a tangle of clamp earrings, worn costume necklaces and broken brooches.  Each just matches one of the dresses or sweaters in the closets.

At the bottom in one corner, a small brooch with seven green rhinestones, partially wrapped in brittle browning tissue paper, the creases cracked from countless unfoldings and foldings.  As I open the tissue paper I sense the scent of pine drifting from a green red and blue light-enshrouded tree of a long-ago Christmas morning.

I examine the pin more closely.  In the reflections from the stones I see the excited bright eyes of a small boy sitting in a disarray of torn paper and open boxes looking up expectantly at the delicate, slender fingers of the young woman holding the pin to the breast of her faded pink chenille robe as she exclaims, “Oh, how beautiful! Mommy will treasure this forever.”

“Forever” ended today with a yellow cardboard sign on a plain wooden stake:  “Estate Sale: Saturday,  9 a. m.- 4 p. m., 1604 South Oak.”

BLUE HERON BLUES (Gladys, Please Come Back!)

Blue Heron mating dance, turned Fifties Doo-Wop…

BirdwalkGladys, please come back!
Whatever it was, I didn’t mean it!
My heart beats for only you
Nobody does the things you do

I’ll walk the line forever
Even, till the end of time
If that’s what it takes
To make you mine, all mine

My dearest darling, can’t you see
I was meant for you, and you for me?
I should have told you, so many things
I long to hold you, in these empty wings

 Because, I’m so in love, I can’t forget
The serpentine curve of your slender neck
Your straw-colored legs, like graceful sticks
Beautiful feathers, lovely pointed beak
The cacophonic symphony, when you speak

–Photo by Craig Roberts– 

Blackberry Quest

blackberriesDad’s blackberry quest began shortly after dawn one July morning under blue skies and puffy clouds.  A gallon glass jug, covered in moistened burlap, wrapped with binder twine, was filled with cool well water.  The receptacle, a two-and-a-half gallon bucket, carried, along with the water jug.

A straw hat provided the only shade.  Typically attired in bib overalls, blue chambray work shirt, and a blue or red bandana sticking out of his back pocket.  The bandana mopped perspiration and shooed away pesky bees and flies.

Accompanied by Tippy, faithful Shetland sheepdog, and a barn cat or two, the little party traipsed to a wild blackberry thicket–one of several scattered throughout the pasture.  Hereford cattle stared as they walked by.  They were more interested in cool pond water.  A bullfrog stopped and quickly resumed his basso profundo chorus.

By mid-morning the first bucket was filled.  Morning coolness had all but faded away.  Cicadas began their noisy revelry.  A drop of sweat ran down and came to a point at the end of dad’s nose.  He wiped his brow and took a drink of water.  His tanned leathery-skinned arms were covered with scratches.  Tippy lay down nearby, remedied an itch with his back leg.

The expedition ended with the proud presentation of five gallons of fresh-picked blackberries.  Dad had the biggest boyish grin on his face.  Mom went to work cleaning and preserving nature’s bounty.  I wondered what dad thought about on blackberry picking expeditions?  He returned from his commune with nature, fulfilled, rejuvenated.  He never complained about discomfort.  This time there weren’t any encounters with unexpected wild creatures–namely snakes.

Perhaps, enjoyment came through, because my father believed, the best things in life were free.  Fresh blackberries covered with fresh cream and sugar were a special summer delight.  To this day, my favorite jellies and jams are blackberry.  Hot blackberry cobbler with a scoop of vanilla ice cream isn’t bad, either.